Wedding
film

I work with small, quiet gear and no lights of my own unless the room really needs them. Nobody has to pose for me, stop what they're doing, or walk back in through the door because I wasn't ready. I show up early and I stand where I'm not in the way.

I run two cameras through the ceremony. One locked off on the wide, one following faces — so you don't lose the groom's reaction when she walks in, or your mother's in the front row. With a single camera you always lose one of the two.

And I put a dedicated mic on the vows. It's the detail that separates a good wedding film from an ordinary one: if the words aren't clean, that moment is gone no matter how beautiful the picture is.

An eight to twelve minute film with the whole story of the day, from getting ready to the last dance.

A one-minute trailer for social — the one you'll actually share in those first few days, while everyone still wants to see it.

The vows and the speeches delivered separately with clean audio, so the words are genuinely audible.

And every bit of the raw footage. No exceptions, no extra charge.

Delivery is three weeks, with two rounds of revisions included.

The Full package starts at $3,500 and covers ten hours, two cameras, the long film, the trailer and the mic on the vows.

Thirty percent books the date, the rest is due on delivery. And if the day runs long, we agree on the overtime rate beforehand — there are never surprises on the invoice.

May through October the good dates go fast. If you already have a day, ask even a year out.